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Professionally
filmed video footage of Metallica's September 25, 2011
performance at the Rock In Rio festival in Rio De Janeiro,
Brazil can be seen below.
The band's setlist was as
follows:
01. Creeping Death 02. For Whom the Bell
Tolls 03. Fuel 04. Ride the Lightning 05. Fade
to Black 06. Cyanide 07. All Nightmare Long 08. Sad
But True 09. Welcome Home
(Sanitarium) 10. Orion 11. One 12. Master of
Puppets 13. Blackened 14. Nothing Else
Matters 15. Enter Sandman
On
September 25, Aniruddh
"Andrew" Bansal of Metal
Assaultconducted
an interview with guitarist John
Petrucci of
progressive metal giants Dream
Theater at
the Nokia Theatre in Los Angeles, California. You can now watch the
19-minute chat below.
"A
Dramatic Turn Of Events" sold
36,000 copies in the United States in its first week of release. The
band's previous CD, 2009's "Black
Clouds & Silver Linings",
opened with 40,000 units to land at position No. 6 on The Billboard
200 chart. This was roughly in line with the first-week tally
registered by its predecessor, "Systematic
Chaos",
which shifted 36,000 copies in 2007 to enter the chart at No. 19.
2005's "Octavarium"premiered
with 27,000 copies to debut at No. 36.
Metallica's
special acoustic performance of the song "Disposable
Heroes" - recorded in October 2007 at the 21st annual Bridge
School Benefit at
Shoreline Amphitheatre in Mountain View, California - will be
included on Warner
Bros. Records'
compilation CD and DVD sets ofNeil
Young's
fabled benefit concerts for the Bridge
School for
children with severe speech and physical impairments.
Due
on October 24, "The
Bridge School Concerts - 25th Anniversary Edition" will
feature additional contributions from The
Who, Bruce
Springsteen,Paul
McCartney, R.E.M.,
Pearl
Jam,
Elton
John and
many more.
Check out a trailer featuring some of the
musical highlights below.Metallica took
part in the Bridge
School Benefit concerts
twice - in 1997 and in 2007.
The Bridge
School,
which was co-founded by Young's
wife Pegi,
works to help people with physical and speech impairments through
alternate methods of communication, including music therapy. Each
year, Young,
who has two handicapped sons, gathers a cross-section of performers
to perform acoustically to benefit the school.
If
you like the idea of watching a TV show celebrating the rock ’n’
roll lifestyle, then you’ll wanna know about a new online series,
starting on Monday, September 26th.
Called "On
The Road",
this takes a look at the crazy guys behind the scenes who make the
tours happen – the road crew! It’s co-presented by Jesse Hughes
from The Eagles Of Death Metal and Tim Harrington on Les Savy Fav;
each will present six episodes. It’s co-produced by Vice magazine
with Marshall Headphones.
Steve
Harris had almost sorted it out. Six years after he formed Iron
Maiden, whose name was inspired by a film adaptation of «The
Man in the Iron Mask»,
Harris was still looking for that final piece to the puzzle. Having
gone through three singers, twelve guitarists (of which, two
remained), four drummers (of which, one remained) and a keyboard
player, the bassist-songwriter-bandleader had almost dialed up the
perfect combination. But he still needed a frontman.
When
Iron Maiden signed to a major label in December 1979, it seemed like
they were just about there. The line-up of Harris, guitarist Dave
Murray, second guitarist Dennis Stratton, drummer Clive Burr and
singer Paul Di’Anno was a pretty fearsome group. Stratton and
Murray provided a complementing, give-and-take twin-guitar attack.
Burr was a more-than-solid drummer. Harris was quickly developing
into the best bassist in heavy metal. And Di’Anno…well, Di’Anno
was something else.
Paul
Di’Anno was not your prototypical singer. His voice was raspy and
harsh, though he could fire off a top-shelf scream when necessary.
But Rob Halford he was not. Di’Anno, though, brought a toughness to
a band that was built for menace. In songs like “Phantom of the
Opera” and “Murders in the Rue Morgue,” you get the feeling
you’re hearing the story from the killer himself.
Di’Anno
sang on the band’s first two albums, «Iron
Maiden» and «Killers»,
and on the live EP, «Maiden
Japan».
And the band met with some early success. Their 1980 self-titled
debut went to #4 in the U.K. charts. The follow-up, 1981’s «Killers»,
only made it as far as #12, but helped to break the band in America.
It was on the Killers tour where the group first ventured to the
States, but the tour would also prove to be the end of the Di’Anno
era.
The
band, which now included guitarist Adrian Smith (after Stratton’s
dismissal), were growing more and more frustrated with their singer.
His voice couldn’t hold up to extensive touring or long shows. More
to the point, the band found his behavior erratic and detrimental,
which they attributed to cocaine and alcohol abuse (a charge Di’Anno
vehemently denies). Regardless, on the verge of making it big, the
band decided to jettison Di’Anno in favor of a singer more suited
for the road and the rigors of playing with Maiden.
Bruce
Dickinson was just the man for the job. The former Samson frontman
(known as “Bruce Bruce” in those heady days) had just parted ways
with his old band, amid a cascade of management and record label
problems. Dickinson was a hilarious ball of energy, and he had no
patience for guys who were content to squander their opportunities by
getting high. He’d had enough of that in Samson. And while he
wasn’t a military starch-shirt like his dad, he did have a drive to
succeed.
Dickinson
auditioned for Iron Maiden in September 1981 and immediately got the
job (on this very day in 1981). His powerful voice was well suited
for the material the band was cooking up for their next release.
Though Dickinson was contractually forbidden to take part in the
songwriting for the new album (because of his old Samson deal), he
nevertheless offered a “moral contribution.” And that next album
would, indeed, propel Maiden and Dickinson to the top of the metal
world. «The
Number of the Beast» went
to #1 in the U.K. and was the first Iron Maiden album to chart in the
U.S., going to #33.
Though
the band would have a handful of other line-up changes in subsequent
years, this was the one that had the most lasting impact. When “Bruce
Bruce” met Eddie and friends, a monster was born.