Mick Burgess of Metal Express Radio recently sat down with Alex Lifeson of Rush to
talk about their new studio album. Read excerpts below:
In
a few weeks’ time your latest album "Clockwork
Angels" will
be released. Are you looking forward to finally getting it out?
Yeah,
it`s been a long project. We released a couple of songs before
the last tour and that`s the first time that we`ve done something
like that where we`ve recorded a couple of songs from a record that
hasn`t been released yet. It was kind of fun to get those songs
out, to work them and play them and have a peak into what the project
was going to be. It was great for getting us back into writing
which we did last fall where we got into the bulk of the writing and
where the whole story started to come together. That`s where we
got a sense of where the album was going.
You
once said that the recording of "Moving
Pictures" was
a difficult process as was "Hemispheres".
How do you feel about "Clockwork
Angels"?
Has this been a fairly smooth record to make?
It
was. The only funny thing about it was that it was so spread
out. We did little spurts here and there but once we got into
the meat of it, it was really a joy to make. We had a great time and
had a lot of fun making it and it was very vibrant in the studio.
It was great working with Nick Raskulinecz. He is such a music
lover, so enthusiastic. He`s such a great presence to be around
in the studio.
"Clockwork
Angels" sees
you really spreading your wings. There`s elements of vintage
Rush in there with complex arrangements and mood changes while
keeping that contemporary feel of your later albums. Was this
the plan when you first started discussing ideas with Geddy?
I
don`t know really. I`m never sure what the plan is. We
sort of start on the day and it takes its shape and we kind of go
with it. I think probably with this record, we really wanted to
play and wanted to stretch out a little bit. We wanted to have
fun playing and also to strip things down a little. I
think "Snakes
and Arrows" in
retrospect was a little bit dense because it was written on acoustic
guitar which played a major role in the production. We layered a lot
of acoustics and electrics and I think we got just a little cloudy at
times. I really like the record but with hindsight of living
with it for a while we realised that we kind of overcooked it a bit.
"Clockwork
Angels" is
really a step or two on from "Snakes
and Arrows" then?
Yeah,
we really wanted to strip it down and have more of a three-piece feel
to it. There`s no rhythm guitar during the guitar solos and
such like which are things you end up doing as you like the sound of
it because you like all the colour but it`s not always necessary and
I think the album comes across as a lot more powerful as a result.
Read
the entire interview here.
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